Rescue US: Birth, Django, and the Violence of Racial Redemption
AbstractIn this article, I show how the relationship between race, violence, and redemption is articulated and visualized through film. By juxtaposing DW Griffith’s The Birth of a Nation and Quentin Tarantino’s Django Unchained, I contend that the latter inverts the logic of the former. While Birth sacrifices black bodies and explains away anti-black violence for the sake of restoring white sovereignty (or rescuing the nation from threatening forms of blackness), Django adopts a rescue narrative in order to show the excessive violence that structured slavery and the emergence of the nation-state. As an immanent break within the rescue narrative, Tarantino’s film works to “rescue” images and sounds of anguish from forgetful versions of history. View Full-Text
Scifeed alert for new publicationsNever miss any articles matching your research from any publisher
- Get alerts for new papers matching your research
- Find out the new papers from selected authors
- Updated daily for 49'000+ journals and 6000+ publishers
- Define your Scifeed now
Winters, J. Rescue US: Birth, Django, and the Violence of Racial Redemption. Religions 2018, 9, 21.
Winters J. Rescue US: Birth, Django, and the Violence of Racial Redemption. Religions. 2018; 9(1):21.Chicago/Turabian Style
Winters, Joseph. 2018. "Rescue US: Birth, Django, and the Violence of Racial Redemption." Religions 9, no. 1: 21.
Note that from the first issue of 2016, MDPI journals use article numbers instead of page numbers. See further details here.