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“Indirect” and “In-Between” of Open Database Art

Institute of Applied Arts, National Chiao Tung University, Hsinchu 300, Taiwan
Received: 4 October 2017 / Revised: 3 November 2017 / Accepted: 1 February 2018 / Published: 6 February 2018
(This article belongs to the Section Arts and Technology)
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Abstract

In the digital age, many artists use digital information mixed in various ways to create works of art. The subject of this paper’s discussion, i.e., open database art (ODA), is one such example. This form of art uses database techniques to retrieve and accumulate vast amounts of readily available and participant-contributed data from the internet, for the purpose of using the contents of the artwork. In other words, the work itself has no preset content, and all of the content relies on the import of external data. This paper seeks to hypothetically discuss the movement of data during its entry and the departure from an artwork, to provide a context and perspective for understanding ODA works. This paper also seeks to analyze ODAs through the conceptual notion of the “between”, to systematize and eke out the various directions that an ODA work may take, for the reference of future related studies. View Full-Text
Keywords: in-between; open database art; relationship; detour; participation in-between; open database art; relationship; detour; participation
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This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. (CC BY 4.0).
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Hsu, W.-T. “Indirect” and “In-Between” of Open Database Art. Arts 2018, 7, 7.

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